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Special Projects
Digiday+ Research
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Podcasts
The Programmatic Publisher
Inside Hearst UK’s multi-pronged approach to third-party cookie replacements
May 17, 2022
Modern Newsroom
With the return of travel, Condé Nast Traveler puts its new global team to the test
May 10, 2022
Digiday Podcast: Creators
With commerce at the center, how an Instagram influencer turned Amazon Live host
May 3, 2022
Digiday Podcast: Creators
How Twitch streamer Blizzb3ar quit his job to become a full-time creator
April 26, 2022
Digiday Podcast: Creators
Why TikTok creator Kris Collins takes a scripted approach to content and doesn’t rely on popular trends to gain followers
April 19, 2022
Digiday Podcast: Creators
How YouTube stars Colin and Samir went from nearly quitting to creating their own media company
April 12, 2022
Content & Commerce
How Refinery29’s Simone Oliver is complementing content with commerce
April 5, 2022
Programming & Production
‘Hell’s Kitchen’ producer Arthur Smith reflects on how production has and hasn’t changed since the pandemic
March 29, 2022
Publishing on the Blockchain
‘DAOs are the new institutions’: Why Blockworks is training its sales team to pitch to crypto groups
March 22, 2022
Business of TV
Why Overtime’s Elite basketball league is using social audience interest to find a live TV rights buyer
March 15, 2022
Business of TV
How A+E Networks’ Mark Garner is managing the TV network group’s programming library in the streaming era
March 8, 2022
Marketing on Platforms
Why Serotonin’s CEO believes brands should be taking a ‘Web2.5 approach’
March 1, 2022
Brand Safety
In the age of ad tech mergers, IAS is prioritizing trust as it ads CTV sales to its business model
February 22, 2022
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