Vogue Brazil Photoshop-amputates celebrities for Paralympics campaign
With the release of a breathtakingly tone deaf campaign last night, Vogue Brazil appears to have had its good judgment amputated.
In order to give visibility to Rio Paralympics, which kicks off in September, the fashion magazine used two soap opera stars — Cleo Pires and Paulo Vilhena — in its “We Are All Paralympians” campaign. Meant to raise awareness of the games, the photo went viral for all the wrong reasons: The problem, of course, is that the models aren’t Paralympians at all, but were made to look like amputees. For the photo shoot, Pires lost her right arm to Photoshop while Vilhena was given a prosthetic leg.
#SomosTodosParalímpicos: para atrair visibilidade aos Jogos Paralímpicos e ressaltar a relevância dos paratletas brasileiros no panorama do esporte nacional, @cleopires_oficial e Paulo Vilhena (@vilhenap) aceitaram o convite para serem embaixadores do Comitê Paralímpico Brasileiro e estrelam a campanha Somos Todos Paralímpicos. Concebido pelos atores com o apoio do @ocpboficial e dos atletas, com direção criativa de @ccarneiro, fotografia de @andrepassos e beleza de @carolalmeidaprada, o anúncio traz Cleo na pele de @bruninha_alexandre, paratleta do tênis de mesa, e Paulo, de @renatoleite10, da categoria vôlei sentado. Os ingressos estão à venda em ingressos.rio2016.com. Vogue mostra os bastidores do shooting com o quarteto no link da bio. #voguenasparalimpiadas
It didn’t take long after Vogue Brazil posted the image to Instagram last night for the internet to register its displeasure.
“I loved the initiative but why not call an athlete who will participate?” asked Twitter user @setebiz.
— Felipe Bizzunci (@setebiz) August 24, 2016
Pires, typing with two hands, responded to the outrage that the campaign was meant to be an homage to Bruna Alexandre, a table tennis champion and member of the Brazilian Paralympic Committee. Clayton Carneiro, art director for Vogue Brazil, explained that Pires came up with the idea that the actors be Photoshopped as amputees. The shock value of seeing someone so recognizable in a new light would have a greater impact, he said.
“We knew it would be a punch in the stomach,” she wrote on Vogue Brazil. “But we were there for a good cause. After all, almost no one bought tickets to see the Paralympic games.”
In spite of their good intentions, the photo raised the wrong kind of awareness. English digital content around Vogue Brazil has increased by 470 percent from yesterday to date, compared to earlier this week; and all the engagement around Vogue Brazil in English mentioning this amputee ad has been negative, according to Amobee Brand Intelligence analysis.
“It’s cringe-worthy,” said Angie Enger, director of engagement for agency Carrot Creative. “Vogue represents what’s in and good. They should have used the real athletes — rather than models – to show the diversity of beauty.”
Eunie Kwon, creative design director for agency Mirum, thinks that the campaign direction is odd choice, as well. “The root of the idea doesn’t support the meaning of and the spirit behind the Paralympics,” she said. “The integrity and the beauty of such an event gets lost through this campaign, as it becomes offensive by not showing the face of the athletes themselves.”
Others also agreed.
This is NOT cool: "Paralympic athletes replaced with able-bodied models in Vogue's promotional campaign": https://t.co/egXM4mvdIW
— level PF Agency (@level_PFAgency) August 24, 2016
— Marie L Belanger (@MarieBLibrarian) August 24, 2016
It was part of a promotional spread for Paralympics. They even had Paralympic athletes in studio as "inspiration," yet they chose models.
— Beth Elderkin (@BethElderkin) August 24, 2016
Ei Vogue, Cleo Pires? Ser deficiente só no photoshop é muito fácil né…FAIL. #Paralympics
— Luiza Augusto (@LuizaAugusto) August 24, 2016
Translation: “Hey Vogue, Cleo Pires? Being deficient only in Photoshop is very easy right…FAIL.”
U.S. cities and regions offer cash incentives to skilled remote workers to relocate
The uncoupling of work and location means that opportunities are no longer restricted to major urban centers.
Member ExclusiveMedia Buying Briefing: As gaming explodes as an ad medium, media agencies aim to level up
Media buyers are ramping up their efforts to guide clients through the exploding but complex world of marketing in gaming.
Why temporary email apps could disrupt identity tech and publishers’ first-party data strategies
Apps that generate fake one-time emails can create just one more disruption to publisher first-party data and identity goals.
SponsoredHow audio programmatic is unlocking ‘screen-free’ campaigns
In recent years there has been rapid growth in audio content available for streaming. Last year, 2020 was a particularly big moment for audio growth, one characterized by a massive shift in lifestyle. Many adults went from commuting to an office to working from home. As a result, they developed new habits and preferences. One […]
‘As good a chance as anybody’: Verizon Media looks to build on its DSP hot streak
Verizon is hoping a spree of publisher and agency partnerships will help solidify its role as the top DSP that isn't owned by Google, Amazon or The Trade Desk.
TikTok-native publishers look to expand business on other platforms after building audiences
Media brands launching exclusively on TikTok have amassed large, Gen Z audiences. The next step is expanding to other platforms to build their businesses.