Bloomberg fights display ad commoditization with markets data

To shore up its display business, Bloomberg Media is tapping its markets data to create custom display ads. Bloomberg now sells 27 different kinds, up from seven just two years ago, in formats that tap into Bloomberg data to give advertisers an ability to use real-time data about companies, commodities and stocks to deliver advertising that accurately reflects what’s going on in the financial world the moment a user sees it.

For example, if a company’s stock falls below a certain price, a visitor to Bloomberg’s owned and operated sites might see a special kind of ad creative.

A format called DataLock, for example, scans an article for company names, pulls out data that provides a live, day-over-day performance chart for those companies and pairs it with an advertiser’s message. Another, called Rithm, gathers highlights from the day’s markets activity and algorithmically creates an infographic that can be deployed as everything from a banner ad to a video advertisement on the Amazon Echo Show.

Some of the new ad units live in newer, more unfamiliar environs. Lens, a Chrome extension that allows users to access real-time data about companies and commodities mentioned in articles by mousing over them, secured Qualcomm as a launch sponsor. Others live inside of Bloomberg’s mobile app audience.

An example of Bloomberg’s Datalock ads, at right.

Bloomberg’s also expanded the team of people that designs ads from one to four, not only to speed up output but to better train Bloomberg’s sales staff on the merits of the new formats, which now account for a double-digit percentage of Bloomberg’s ad revenue, according to Derek Gatts, Bloomberg’s global head of ad trafficking, technology and innovation.

“If someone goes to one of our competitors, what they’re buying is adjacency, to content and audience,” said Michael Shane, the global head of digital innovation at Bloomberg. “But beyond a certain point, that’s not super connected to what’s happening in the world, minute by minute.”

The revenue from those products is up 81 percent year over year, Bloomberg claims, saying only that proceeds from the sale of those units amounted to over $10 million and contributed to the highest quarter of revenue in the history of Bloomberg Media.

“It’s not about how big the ads are,” Gatts said. “It’s about what you can stuff into them.”

In the United States, the display advertising market has been locked in a decline for many years, according to Interactive Advertising Bureau figures. Publishers, looking to prop up that corner of the business, have recently turned to custom banner formats, which lack the scale of most banner inventory but deliver superior performance, engagement and viewability.

That trade-off might hold questionable value to a mass consumer brand. But it is much more palatable for a brand targeting a group like financial professionals or day traders, who might amount to just a few million people. “This is an oasis in the desert for people we care very much about talking to,” said Tracy-Ann Goodwin, the evp of client strategy at the media agency Media Assembly.

Having to compete for the attention of such a small group of people makes it more important to have ads that stand out, Goodwin added.

Gatts and Shane both note that all of these new formats are reworked tirelessly in an effort to more efficiently meet client needs. But they also require substantial training and education effort for the sales staff. “If you’re creating new ad products and you don’t have to retrain the entire sales force [to sell them], you’re not being ambitious enough,” Shane said.

https://digiday.com/?p=262252

More in Media

BuzzFeed’s sale of First We Feast seen as a ‘good sign’ for the M&A media market

Investor analysts are describing BuzzFeed’s sale of First We Feast for $82.5 million as a good sign for the media M&A market — which itself is an indication of how ugly that market had become.

Media Briefing: Efforts to diversify workforces stall for some publishers

A third of the nine publishers that have released workforce demographic reports in the past year haven’t moved the needle on the overall diversity of their companies, according to the annual reports that are tracked by Digiday.

Creators are left wanting more from Spotify’s push to video

The streaming service will have to step up certain features in order to shift people toward video podcasts on its app.