‘A blueprint for what is going to happen’: Time’s Time 100 franchise on track to double revenue in 2020
But with a global pandemic putting a stop to its in-person summits that it launched in 2019 — the Time 100 Summit, Time 100 Health Summit and the Time 100 Next Summit — that expansion planned seemed destined stall.
Then the legacy magazine brand pivoted to video and broadcast television as a way to not only broaden its audience but deepen the brand deals associated with the franchise. Now Time 100 is outpacing its 2019 revenue by 37%, with the projection that it will double year over year, according to the company.
In April, Time replaced its Time 100 Summit with the Time 100 Talks: a virtual event that has since expanded into a weekly show on Time.com, which now averages 5 million views per episode, according to Dan Macsai, executive editor and editorial director of the Time 100.
In May, Digiday reported that the Talks had brought in $1 million in sponsorship revenue but since then, it has been bringing in the mid-seven sponsorship figures, according to Ian Orefice, president of Time Studios. Financial institutions like Citibank and DBS Bank and insurance providers like State Farm and American Family Insurance have been sponsors for this series.
Continuing to capitalize on the success of the video programming pivot, the publisher is planning to reveal its 2020 class of Time 100 honorees with an hour-long broadcast special that will air in prime time on ABC on September 22. The show will include a mixture of mini-documentaries of the honorees, as well as musical performances and toasts from previous honorees.
Macsai said that the goal is to create a living and breathing community of honorees that continue to contribute to the video programming, both for the broadcast and for the Talks.
“It’s a natural progression for the Time 100 franchise” to go to broadcast programming, said Steven Bloom, managing director of enterprise partnerships at Omnicom Media Group. This is because the level of influence that the honorees have across a variety of industries is unmatched, he said. Some past honorees include actress and the Duchess of Sussex Meghan Markle, President Donald Trump, professional tennis player Naomi Osaka and Oscar-winning actress Brie Larson.
“Moving into broadcast, you’re moving the franchise in front of a much larger audience that wasn’t exposed to it in the past,” he said, making it an even more lucrative opportunity to increase revenue.
Broadcast sponsor, Procter & Gamble, is co-producing and co-financing the show’s production, said Orefice. He declined a request to disclose the revenue earned from this partnership or from licensing the programming to ABC.
Brain Wieser, the global president of business intelligence at GroupM, though, said that an hour-long, prime-time program can fetch upwards of $1 million or more for the publisher.
Time Studios was founded towards the end of 2019 and in just a year is pacing to be a low eight-figure revenue stream in 2020, according to Orefice. In addition to the upcoming broadcast, the studio has also created a number of documentaries and scripted products, some with scheduled theatrical releases.
Wieser said that while this is a new venture for Time as a publisher to enter into broadcast programming, publishers have incrementally been increasing their video divisions and their reach into broadcast for years. Meredith and Hearst now own dozens of their own local television stations, while Condé Nast and Vox Media have created video studios of their own to produce and license out content for their brands in-house.
“Time 100 is a blueprint for what is going to happen with the rest of Time,” said Orefice. For example, later this year, Time for Kids will be following suit by creating a television show for its Kid of the Year franchise that will premiere on Nickelodeon and CBS. “It’s about taking the cornerstone of what has always made this brand great and bringing that to life in new ways,” he said.
‘A hybrid of entertainment and commerce’: How NTWRK made over $100,000 from selling goods via Snapchat
NTWRK believes opinionated content about exclusive and scarce products associated with celebrity creators can turn viewers into buyers.
‘Not something we think about’: Facebook News still a non-factor in publishers’ plans
Early attempts to measure the impact of Facebook News suggest that it typically accounts for a low, single-digit percentage of a story's traffic.
‘Outside the four walls of a restaurant’: Why The Infatuation cooked up a marketplace model during the pandemic
The NYC-focused marketplace, which offers everything from private dinners to cooking classes, will be braided into the rest of the Infatuation's business next year.
SponsoredWhy ad buyers (and sellers) need to pay more attention to viewer attention
By Yan Liu, CEO, TVision Like the proverbial tree falling in the forest, we all recognize that oftentimes the TV is on, but no one is in the room to hear or see it. And yet some ad buyers continue to rely on a metric that fails to account for this. To mix metaphors, buyers […]
‘I believe enough in this to try to do it myself’: CollegeHumor owner Sam Reich on the brand’s future potential
In January, IAC decided it was no longer willing to finance CollegeHumor and sold it to Sam Reich, who had joined the company in 2006 to build out original video.
Care packages replace canapés as Coronavirus cancels media holiday party extravagances
With social distancing keeping coworkers apart in December, media companies and agencies have turned to care packages to replace the holiday party.