Why Snapchat’s first batch of original shows favor reality TV and news genres
Snapchat Discover has quickly become the newest home for reality TV and other nonfiction video series.
Of the 22 Snapchat shows that have premiered since last fall — when Snap ramped up its shows initiative in earnest — almost all of them have fallen within the unscripted, reality TV or news genres. This includes Snapchat’s newest show, “Artist Pass,” a documentary series from Billboard that goes behind the scenes with musicians as they prepare for a big performance; E!’s “Ask Kylie,” which stars Kylie Jenner; and “Stay Tuned,” a twice-daily news show from NBC News.
Shows remains a huge commitment for Snap, which plans to have as many as three shows airing per day on Snapchat Discover by year-end, according to the company.
Snap hasn’t explicitly said it’s only looking for nonfiction programming, but news, documentary and reality TV genres seem to be a focus.
“They’re leaning more toward a reality, unscripted and documentary focus for series,” said Nick Cicero, CEO of Delmondo, which has pitched Snap show concepts. “We’ve also received interest from record labels and celebrities who are reaching out to say they’re interested in creating a show concept for Snap.”
Snap has a few narrative shows in the works, including an animated comedy series with Conan O’Brien’s “Team Coco.” These are expected to roll out later this year as the company expands the lineup of shows to include animation, scripted dramas and comedies, said a Snap source.
But it makes sense that Snap would pursue nonfiction genres and show formats for its initial foray into TV-like programming — it’s what users are accustomed to. It’s also a fast way to build an audience.
“Reality breeds reality,” said Peter Csathy, founder of media advisory firm Creatv Media. “Snapchat users already showcase their own lives, so it makes sense that Snapchat would showcase the lives of celebrities — that interest is embedded in Snapchat’s DNA.”
There appears to be an audience for this type of programming. A+E Networks’ “Second Chance,” where former couples revisit their breakups, averaged 8 million viewers per episode by the end of the first season, a 100 percent growth from the first episode.
“In creating ‘Second Chance,’ we focused closely on Snap’s unique audience makeup and the kind of content that really resonates with them,” said Paul Greenberg, evp and gm of 45th & Dean and FYI at A+E Networks.
Vertical Networks’ “Phone Swap,” which is Snapchat’s most popular show so far, averaged more than 11 million viewers per episode. On the news front, “Good Luck America,” a Snap-produced political series, averaged 5.2 million viewers in its second season, according to Snapchat. E! News’ entertainment news show “The Rundown,” meanwhile, averages 8 million viewers per episode, with some episodes clearing 10 million viewers, E! News said. (Snapchat counts a view as soon as the episode is clicked on and starts playing, whereas Facebook counts a view at 3 seconds — and why online video and linear TV are not comparable.)
Advertisers are also experimenting with reality TV-style programming on Snapchat. Earlier this year, The Recording Academy aired a four-episode, man-on-the-street-style game show to promote the Grammys to Snapchat users. The show came close to being distributed on Snapchat Discover, but ultimately aired on The Recording Academy’s personal Snapchat account.
More recently, Marriott released “Six Days, Seven Nights,” a travel show that follows different influencers as they travel around cities. Unlike The Recording Academy, Marriott has released episodes of the show, which run for three minutes apiece, as ads inside Snapchat Discover.
Even here, the focus is on celebrities and influencers within a nonfiction setting.
“If you’re thinking about original scripted and narrative character development, unless you have a recognizable person attached to the show and are promoting the show outside of Snapchat, the ability to successfully launch such a show is difficult,” said Cicero. (Delmondo produced branded shows for The Recording Academy and Marriott.) “Snap’s looking at celebrities, athletes, influencers and other prominent individuals who can immediately deliver viewership from the first episode.”
How chef influencer Tue Nguyen works with the BuzzFeed Creator Network
BuzzFeed's Creator Network has been valuable from an audience and production education standpoint, but Nguyen still drives most of her business on her own.
Dentsu’s new Web3 readiness tool shines light on the tech’s potential to complement AI
Dentsu's Innovation Initiative is launching a web3 readiness index next month — at a time when the industry is obsessed with AI. Could the two technologies actually make a good pair?
Digiday+ Research deep dive: Publishers large and small put their resources into first-party data
Eighty-two percent of publishers overall say they're already using first-party data to prepare for the end of the third-party cookie, and nearly half are requiring users to register and integrating first-party data segments into DSPs – indicating that first-party data is the clear path forward for publishers heading into the post-cookie world.
SponsoredHow enterprise-grade CDPs are enhancing data processes and improving customer experiences
Produced in partnership with Marketecture The following article highlights an interview between Martin Kihn, Salesforce’s senior vice president of Marketing Cloud, and Ari Paparo, founder and CEO of Marketecture Media. Register to watch more of the discussion and learn how brands are making the most of enterprise-grade CDP technologies. As brands expand across channels and […]
Media Briefing: Why publishers hope chatbots will be the latest retention tool
Publishers hope the chatbots they are developing will be the latest retention tool to keep readers onsite and to get them to consume more content.
How programmatic advertising will evolve this year on the heels of audio growth and privacy changes
Comscore’s programmatic division Proximic released a State of Programmatic study highlighting the growth of audio and podcasting, other digital advertising channels and challenges around third-party data.