Best of 2017: The perilous pivot to video
Suffice it to say, it’s been a terrible year for digital media companies that once dreamed of disrupting the content world, but now find themselves becoming glorified production shops at the whims of the platforms. If that sounds harsh, remember what we’ve learned this year: It’s nearly impossible to build a big media business if you’re only making money through advertising; the pivot to video is costly and will fail for most companies that don’t know how to produce anything but short videos for Facebook; and consumer revenue requires building a brand that people care about, which is tougher to do when your content only appears in other people’s news feeds.
The pivot to reality has hit digital media companies hard, but it’s also resulted in some of Digiday’s best work. Here are select pieces from this year that detailed how out of luck the digital media business really is.
The pivot to reality
If you wanted to pinpoint one moment when things came crashing down, it was probably the end of November. We learned that Mashable was selling to Ziff Davis at one-fifth of its one-time valuation of $250 million, and both BuzzFeed and Vice were on track to miss their annual revenue targets. Meanwhile, Oath, the merger between AOL and Yahoo, laid off up to 560 employees as it tries to compete with the duopoly. Publishers are finally being confronted with the reality that advertising alone can’t help them meet their lofty valuations and that true success in video will require real, upfront investments.
Key quote: “People are not going to pay to watch people sitting around a table talking about the news. There’s going to be a pivot to real business models.”
Facebook’s key video ad program isn’t delivering much money to publishers
Countless digital media companies have bet on the hope that if they spent money producing content for Facebook, the revenue would eventually follow. So far, it’s been a fool’s errand, as outside of production dollars Facebook has been willing to pay to get some media partners to make videos and shows, there’s little money to be made from Facebook’s monetization products. One publisher made only $500 from a Facebook page that generated 20 million views in a single month.
Key passage: A fifth publisher, when asked about its Facebook mid-roll CPMs, responded by texting lyrics to Flo Rida’s “Low.”
The once-vibrant market for digital video series has deteriorated
Here’s a sad thing in a sea of many sad things: At least Facebook is still paying video makers for shows. In 2017, many of the platforms that digital publishers and studios counted on to buy shows either shut down or scaled back their spend, including Fullscreen, NBCUniversal’s Seeso, Comcast’s Watchable and Verizon’s Go90. Those in the market are inching toward TV-size programs, which is tough for publishers that haven’t built the production chops to create those successfully.
Tweet from a world-famous crank that sums up everything perfectly:
— Mike Shields (@digitalshields) December 5, 2017
Ad buyers cast doubts on publishers’ pivot to video
Everyone wants to be a video company, but not everyone can do it well. In the summer, multiple ad buyers told Digiday about how most of the publishers pivoting to video were creating cheap content that would never command the type of ad dollars that premium TV and streaming programs can. If only the world had listened.
Ad buyer quote that still resonates: “But we don’t want everyone going to video. It’s expensive. Not everyone does it well. Not all users are ready for video. There’s a lot more crap than there is premium. CPMs are still pretty high — that says to me there’s a shortage.”
Text journalists fear (and resent) The Great Pivot to Video
It was a tough year for digital publishers that pivoted to video, but let’s not forget what they left behind in their wake. Investing in video often came with layoffs on the text editorial side. As Digiday’s Lucia Moses writes: “It’s given rise to a gloomy rite that starts with farewell tweets, followed by sympathy responses, ‘hire this person’ tweets and existential rants about the state of the industry.”
Pivot to video, as demonstrated by cat GIF:
5/ Pivots, more often than not, aren’t led by real audience strategy. It’s chasing an ad demo, or dream of a demo, like a cat chases a laser pic.twitter.com/gkbYft4q0D
— Clara Jeffery (@ClaraJeffery) June 29, 2017
Inside Disney’s troubled $675 mil. Maker Studios acquisition
In case you think digital media’s revenue problems are a recent thing, earlier this year, Disney laid off people within its Maker Studios division and shrunk the YouTube network from tens of thousands of creators to 300. Why? It’s hard building a successful business — and Maker, with $370 million in revenue in 2016, was no small operation — if your business is almost entirely reliant on YouTube. Sound familiar? Maybe today’s distributed-media publishers should have paid more attention to the failure of the YouTube multichannel networks.
Key quote: “Disney saw the MCN gold rush, went prospecting and said, ‘We’re going to buy the biggest, shiniest one. If this becomes something, it’s worth having the biggest.’ I don’t think they knew what they were buying. And quite honestly, I don’t think there was much to buy.”
Cheat Sheet: At IAB Podcast Upfront, diverse voices take center stage while podcast advertising revenue and audiences boom
Most of the companies that presented at the IAB Podcast Upfront signaled they had or were going to add more diversity to their programming, both in hosts and content.
Member ExclusiveMedia Briefing: What media companies’ latest earnings reports say about the state of the industry
Media companies' Q1 earnings reports signaled a continued return to business as usual — for better or worse, depending on the company's digital business.
‘Brands tend to be selective’: OMG report offers options to media buyers facing upfront inventory crunch
With a tight upfront TV marketplace expected, one agency group is recommending alternatives in video and CTV.
SponsoredHow The Company Store is reimagining customer experiences for pandemic-era growth
Throughout the pandemic, some retail categories have been inherently successful. Home furnishings and décor are among them; with consumers spending so much more time at home, updates and renovations flourished. Criteo data from the first half of 2020 showed sales for items like outdoor furniture sets up 434% year over year, with other home items […]
‘You’re fixing a number, not changing the culture’: Confessions of a media exec on diversity quotas
In the rush to improve diversity rates, businesses are in danger of overlooking more fundamental ways to sustain inclusivity in the workplace, according to our latest Confessions interviewee.
‘Direct revenue driver’: How local broadcaster News 12 is partnering with Google to build a younger audience
Local broadcaster used support and funding from Google News Initiative to build a new tool that can automatically identify and feed video content into new website verticals.