Media Buying Briefing: Why some media agencies are bowing out of pitches for this year’s Mediapalooza

But some media agencies are choosing to sidestep the intense work that goes into landing a big marketing fish, choosing instead to focus on existing business. “I’ve heard both from colleagues and personal experience here myself this is happening,” said Todd Engels, executive director of client development at Mediassociates. “We’ve decided not to participate in two RFPs. Typically we would’ve jumped at them.”

Engels said Mediassociates now considers two factors in deciding whether to pitch or not: the right to win (does the agency have the correct experience to win the business, or is it too much of a stretch?) and the chance to win (what are the odds of winning, depending on the number of rivals pitching and expected number of rounds before winning?). “If it’s going to hurt our chances of delivering for existing clients, it’s just not worth it for us,” he said.

The loss of existing staff and talent across all industries often referred to as The Great Resignation, has been keenly felt in the agency world. One holding company executive who declined to be identified said the reason for passing on a review is capacity-related. And with fewer people to throw into preparing pitches (which sometimes require small armies) and more employees working remotely, choices have to be made.

“My tolerance for what I stretch for is lower than it’s ever been,” said Greg March, CEO of independent agency Noble People, “because I don’t want to overheat the agency.” March noted that the transition back to an office-based or at least hybrid working model from 100 percent remote has been more difficult for his employees than expected, leading him to pass on a pitch or two. “At some point, you have to respect the balance of the universe.”

Though no holding company agency would comment on the record, an executive at one of them acknowledged that the pain of procurement has contributed to some of its agencies bowing out of pitches.

Media Sense’s Kangisser, however, said he didn’t believe procurement plays as big a role as the demands that prospective clients have today. “The common theme of most current reviews is transformation,” he said. “A lot of companies have taken the time to think about what the future of media looks like for their organizations. And with that clarity, they’re going to market to say, ‘This is how we want to be organizing ourselves in media for the future, and this is how we’re looking for you to complement or supplement our model.’ So that adds to the complexity, whether it requires new organization and compensation models, or new approaches to measurement and media.”

Color by numbers

Media buyers strung out from a sellers’ upfront marketplace caused by linear networks demanding huge rate increases for limited inventory will be glad to hear that the American viewing public is largely content with ad-supported streaming services out there. Piplsay, a consumer research firm, last week issued a report that polled 27,800 people between July 2-3, finding that:

• 63 percent of Americans are currently subscribed to paid or free ad-supported streaming services; among paid, Hulu is the most popular, and among free, Peacock ranks first.
• 60 percent have switched from ad-free to ad-supported streaming services in the past year; 28 percent among them have completely switched to ad-supported.
• 49 percent are extremely satisfied with the content offered on ad-supported streaming services;
• One bit of bad news for buyers: 43 percent did say they plan to switch back to ad-free streaming within the next six months.

Takeoff & landing

• Independent giant Horizon Media promoted Phil Mitchell to executive vp, managing partner. Mitchell joined Horizon in 2012 as an expert in driving digital brand strategy.
• Dentsu International promoted longtime executive Doug Ray to global chief product officer of media. He most recently was chief product officer for Dentsu Americas.

Direct quote

“It’s critical for all the players in the media environment to contemplate their impact on society from the standpoint of: are we promoting hate? Are we promoting disunity? Are we supporting players who do that? Are we associating our brands with negative aspects of society? Are we maintaining appropriate levels of diversity? … I was clearly naïve about the full potential impact of what media can do, both good and bad. And today, I don’t believe any of us, starting with me, have an excuse to be naïve, or be in denial about what we’re doing and what the impact of what we do is.”

— Irwin Gotlieb, former chairman of GroupM, speaking on a BeetTV podcast about media’s responsibility to society.

Speed reading

• Digiday’s senior media editor Tim Peterson notes five trends to look out for in TV and digital for the latter half of 2021 in his latest Digiday+ Future of TV Briefing.
• In the latest Digiday+ Media Briefing, platforms, data and privacy reporter Kate Kaye explains why there’s some concern that Google’s reprieve on cookie deprecation will cause advertisers to lose focus on planning for a post-cookie world.
• And Digiday senior news editor Seb Joseph outlines Unilever’s approach to responsible media investment via alignment with environmental, social and governance goals.