Pitch deck: TikTok is testing cost-per-click ad pricing
TikTok is quickly transitioning from a direct sales business to a self-serve platform to reach a broader spectrum of advertisers.
Execs from the app have been selling the self-serve model to buyers over the last quarter, according to a recent pitch deck sent to agencies across Europe. TikTok outlined its plan to test letting advertisers across the U.K., France, Italy and the U.S. buy ads through its ads manager platform rather than a member of the app’s sales team. It’s not a fully self-serve model yet, as TikTok reps are still needed to run the ads once the advertiser has bought them. The model was trialed in the U.S. at the start of the year.
There are two beta auction models that advertisers will be able to test for the first time across Europe in the fourth quarter: a standard cost-per-click model and what TikTok called an “optimized CPC” that lets advertisers bid with the cost-per-acquisition figure they set and pay for clicks. In a nutshell, TikTok will target ads to those people most likely to convert, per the deck. Neither buying method is advanced in nature, as evidenced by how Snapchat’s efforts are increasingly on the average revenue-per-user metric and what that means for advertisers.
TikTok did not respond to a request for comment by press time.
The deck goes on to show several ways advertisers can target TikTok users, including by age, smartphone operating system, location, interest and age. Advertisers can keep track of how their targeted campaigns perform using TikTok’s pixel, which was first tested by some buyers in the summer. While the tool should help attract those advertisers interested in instant results like a site visit, most companies already on the app like the Chicago Bulls view the app as a brand-building channel, not a performance one.
Nevertheless, third-party measurement is set to help advertisers independently verify how well their ads meet specific campaign goals. TikTok’s pitch deck highlights case studies from Vans, Burberry and Armani Exchange.
Currently, TikTok is working with several ad verification firms including Appsflyer, Doubleclick, Flashtalking and Singular, per the deck.
The inclusion of self-serve auctions in the pitch is reflective of how much TikTok’s attempts to woo buyers have changed since the first half of the year when the focus was on the size of its audience and how engaged they were. Both those aspects are still highlighted in the deck, though there’s a greater focus on the broader offering such as in-feed native video, in-feed video and branded effects, and how all of them can be measured, per the deck.
TikTok’s pitch also prioritizes hashtag challenges.
“From an advertiser perspective, the ad formats which are demonstrably brand-safe are of most interest, for example, ‘Brand Takeover’,” said Paul Kasamias, managing partner at Starcom. “This is particularly true of the larger brands to whom brand safety is paramount.”
The app is in the early phases of working with Integral Ad Science to help advertisers improve brand safety on the app, according to one media buyer on the condition of anonymity. The partnership feeds into TikTok’s wider plan to position itself as a safe platform for users and subsequently advertisers. Last month, for example, it ran a series of videos that featured some of its most popular influencers such as Steven Mckell in the U.K. and Chany Dakota in Germany to raise awareness for several in-app safety features including the ability to block certain users.
“Brands are definitely interested in TikTok,” said Lucy Loveridge, global head of talent at Gleam Futures. “The challenge for them, beyond the commercial opportunity that the platform itself offers to brands, is how to create brilliant branded creative within the formats that TikTok allows.”
Across TikTok’s key markets in Europe, it reported around 21.8 million monthly active users who opened up the app up to 11 times a day in, according to numbers from June cited in the deck. In comparison, TikTok said it had 26.5 million monthly active users in the U.S. at the start of 2019. It shows how quick the take-up of the app has been outside of the U.S. in Europe where the business has spent the last year growing its London-based team. And yet advertisers are still wrestling with how TikTok fits into their media strategy alongside social networks with similar pitches like Instagram and Snapchat. Some are more focused on publishing organic content on the app than actually buying ads, for example.
A TikTok spokeswoman said: “Brands see TikTok as an exciting way to reach and engage with a broader audience in a meaningful way and so far we have worked with brands across a variety of industries including retail, sports, e-commerce and many more. We believe that this plays testament to our uniquely-placed platform, one that encourages fun, creativity, fosters a strong sense of community that brings joy to people. We are testing our ad formats, building our ad solution and working with recognised industry players in terms of developing measurement is something we’re committed to deliver for our clients.”
To recruit more advertisers, TikTok execs are doing more to explain what distinguishes the app’s features from its rivals.
‘Not the future’: European publishers remain steadfast in blocking alternative IDs to third-party cookies
Some European publishers believe alternatives to the third-party cookies, probabilistic or deterministic, will do more harm than good to their ads businesses.
Media Briefing: Why Leaf Group spun off its media arm into a standalone company
World of Good's newly appointed CEO Lindsey Abramo spoke with Digiday about her plans to lean into experiential and embrace niche vs. scale.
Dentsu’s latest ad report shows slowed growth, driven mostly by inflation
The good news in Dentsu's ad forecast is that there's still growth. The bad news: most of the growth is the result of inflation, while real ad pricing actually dropped a bit.
SponsoredWhat the measurement and currency discussion really means to TV advertisers
Ali Mack, head of TV and agency, Experian Major streaming video providers have recently made headlines by adopting new currencies for ad measurement, threatening Nielsen’s long-standing TV ratings monopoly. NBCUniversal, for example, has certified iSpot and VideoAmp as currencies for advanced audiences and formed the Joint Industry Committee with Paramount, TelevisaUnivision and Warner Bros. Discovery. […]
How chef influencer Tue Nguyen works with the BuzzFeed Creator Network
BuzzFeed's Creator Network has been valuable from an audience and production education standpoint, but Nguyen still drives most of her business on her own.
Dentsu’s new Web3 readiness tool shines light on the tech’s potential to complement AI
Dentsu's Innovation Initiative is launching a web3 readiness index next month — at a time when the industry is obsessed with AI. Could the two technologies actually make a good pair?