How The Independent plans to pay for its journalism as a digital-only player
The Independent may have shed the costs of running a print newspaper since it went digital-only at the end of March. But it still has to generate enough cash to maintain its quality journalism online.
Parent ESI Media, which also owns The Evening Standard newspaper, spends around £250,000 a day ($360,000) on the Independent’s editorial operations. That figure’s set to rise, given it’s adding foreign correspondents across Europe, Asia and the Middle East, in the coming months.
Selling its i newspaper to Johnston Press for £24 million ($35m) will provide some financial cushion. But to make sure its revenue keeps pace with its editorial goals, the Independent has hired writers who can moonlight as commercial content creators to hold down content studio costs. It’s also adding programmatic specialists.
Before going online-only, the Independent was holding its own in terms of online traffic, with an average 3.1 million daily browsers, after the Telegraph with 4.2 million and ahead of The Sun’s 2.3 million, according to the Audit Bureau of Circulations.
Scaling the Independent’s audience domestically and internationally is a must, and by bolstering its programmatic team, the site can sell more of its overseas inventory without putting costly sales teams on the ground. It already does this in the U.S., where most of its inventory is sold programmatically. Now it will do the same in Europe and Asia.
The publisher has six programmatic specialists and is hiring another three, one of which will be responsible for audience extensions.
“Our digital component had needed finessing, because the table stakes are much higher now. It’s about delivering competent data sets, delivering the mechanics for programatic trading, and getting closer to editorial for native campaigns — all these are minimum requirements, along with viewability,” said ESI chief digital revenue officer Scott Deutrom.
Around 20 percent of the Independent’s ad revenue comes from programmatic. But 55 percent of the revenue that comes via agency deals is programmatic, he said. One goal is to enable all the ad formats be traded programmatically by the end of the year and introduce header bidding.
Header bidding, which lets publishers widen the number of bidders on their inventory to drive competition, has become a popular way for publishers to get better yields. The Independent wants in on the action, and is on the verge of signing a provider.
“It’s my job to ensure we have as many demand sources as possible to bid on our inventory. Header bidding is a solution that helps us do that, and ensures our SSP is working as hard as it can to value our inventory. I expect it to make a material difference to our revenues,” said Deutrom, who expects to see a 20 percent increase in programmatic revenue from header bidding.
The Independent still commands respect from agencies as an editorial publication, although some believe that the demise of the print paper was not coupled with a loud enough campaign to re-affirm that the digital edition was still alive and thriving. “Sales people are probably getting bored with being asked if the site is still live when calling planners,” said Tim Pearce, head of publishing and radio trading at Dentsu Aegis’ media buying arm Amplify.
And yet, advertiser fears over brand safety, fraud and control in the programmatic world remain high, and an online property like the Independent will be an attractive, safe haven for programmatic ad buyers, added Pearce.
The success of the digital-only proposition will depend on the publisher’s willingness to play ball in the competitive trade desk space, though, he said.
“The majority of direct programmatic buys are data-driven audience buys which rely on scale for cost efficiency,” he said. “The Independent’s relatively limited data capabilities mean that they may find it hard to compete with the large data-focused operators.”
Image courtesy of the Independent.
‘Not the future’: European publishers remain steadfast in blocking alternative IDs to third-party cookies
Some European publishers believe alternatives to the third-party cookies, probabilistic or deterministic, will do more harm than good to their ads businesses.
Media Briefing: Why Leaf Group spun off its media arm into a standalone company
World of Good's newly appointed CEO Lindsey Abramo spoke with Digiday about her plans to lean into experiential and embrace niche vs. scale.
Dentsu’s latest ad report shows slowed growth, driven mostly by inflation
The good news in Dentsu's ad forecast is that there's still growth. The bad news: most of the growth is the result of inflation, while real ad pricing actually dropped a bit.
SponsoredWhat the measurement and currency discussion really means to TV advertisers
Ali Mack, head of TV and agency, Experian Major streaming video providers have recently made headlines by adopting new currencies for ad measurement, threatening Nielsen’s long-standing TV ratings monopoly. NBCUniversal, for example, has certified iSpot and VideoAmp as currencies for advanced audiences and formed the Joint Industry Committee with Paramount, TelevisaUnivision and Warner Bros. Discovery. […]
How chef influencer Tue Nguyen works with the BuzzFeed Creator Network
BuzzFeed's Creator Network has been valuable from an audience and production education standpoint, but Nguyen still drives most of her business on her own.
Dentsu’s new Web3 readiness tool shines light on the tech’s potential to complement AI
Dentsu's Innovation Initiative is launching a web3 readiness index next month — at a time when the industry is obsessed with AI. Could the two technologies actually make a good pair?