European publishers’ pivot to video continues, albeit less aggressively
At the Digiday Publishing Summit event last month in Monaco, we sat down with over 80 European publishing executives to learn more about how publishers are adapting their video strategies to the changes to Facebook’s news-feed algorithm. Check out our earlier research on what platforms publishers are eyeing to replace Facebook here. Learn more about our upcoming events here.
- Ninety-two percent of publishers in a Digiday survey conducted at the event are planning to produce more video content in 2018.
- The amount of video that publishers expect to produce has fallen over the past five months.
- Nearly 4 out of 5 publishers expect to use YouTube in 2018.
Publishers plan to produce more video, but less than initially expected
Last year was characterized by the pivot to video, which saw a number of publishers focus their strategies on viral videos in order to chase more lucrative CPMs from video ads. Headlines have declared the pivot to video is over, given the digital video market has largely deteriorated. However, Digiday’s most recent survey found that publishers’ pivot to video continues in Europe, but how much more video they expect to produce is decreasing.
Digiday surveyed European publishers twice, once in October of 2017 and once in February, asking them to share their projected video production. In October of 2017, 42 percent of publishers planned to increase the amount of video they produce by 50 percent or more. By February, the number of publishers planning a similar increase had fallen to 18 percent. For European publishers that raced into video, this suggests their video production reached a saturation point or that they have realized the limitations of a video-first strategy.
Publishers look to YouTube to host their videos
Facebook once had — and may still have — ambitions of being a “video-first” company, but it’s far behind YouTube as the platform for publishers’ video. For example, British video publisher Kyra TV has established a loyal following and built a seven-figure business by specifically avoiding Facebook’s quick scale opportunities, instead posting long-form video series to YouTube. In 2018, roughly 4 out of every 5 publishers will post videos to YouTube, according to Digiday’s survey.
The Economist is among numerous publishers that have started focusing on YouTube, where it posts three videos a week. For The Economist, audiences on YouTube are more engaged than those on other platforms. “[YouTube] is where the engaged opportunity is,” said Jamie Credland, svp of strategy and marketing at The Economist Group, in an earlier conversation with Digiday.
YouTube is the established player in the video realm, and while Facebook isn’t going away just yet, many publishers are testing other platforms. Snapchat, for one, has reached out to publishers to create video shows for Snapchat Discover. Publishers have reason to be both cautious and optimistic about Snapchat. In an effort to improve its relationships with publishers, Snapchat has become more flexible when it comes to selling its ad inventory, often letting publishers take the lead on sales. But Snapchat’s redesign has had mixed effects for publishers, causing spikes in audience traffic for some and drops for others. The unclear consequences of the redesign for publishers make long-term planning around video strategy difficult.
Elsewhere, publishers were pleasantly surprised by a surge in video views from Twitter. Bloomberg has had early success with TicToc, its 24/7 news network exclusive to Twitter, which was getting nearly a million daily views and already on a path to profitability a month after it launched in December. Twitter is rewarding publishers for posting videos to the platform, displaying video view counts that provide a layer of transparency for publishers and sending mobile push notifications to users that drive them to video on the platform. So far, publishers are happy with the ad revenue from their Twitter videos, given that they’re mostly reposting their Facebook videos. Still, it’s yet to be seen if Twitter’s video push will be enough to help publishers replace lost traffic from Facebook. Publishers have already been burned by a platform going all-in on video, only to change course. It’s unlikely they’ll make the same mistake this time around.
‘Necessity drives innovation’: Despite the economic downturn, upstart agencies are finding their way to launch
Agencies are launching despite— and as a result of — the pandemic as new creative opportunities arise from the disrupted marketing landscape.
‘Fewer, bigger, better’: RFP close rates rise for publishers as buyers look to keep things simple
Some publishers are now closing close to half the RFPs they send out. The trick is getting onto the shortening lists receiving the RFP.
Inside the Atlantic’s triumphant and tumultuous run during the coronavirus pandemic
The Trump 'losers' and 'suckers' scoop provided a boost not only to The Atlantic’s renewed sense of importance, but to its bottom line.
SponsoredFor brand marketers, watch parties are where connections and entertainment meet
Jen Prince, managing director, media and entertainment, Twitter Bridget Harvey, head of media and entertainment strategy, Twitter Next Whether it’s finding new shows, rewatching old favorites or tuning into a history-making world premiere, watching movies and TV at home brings people together during times of isolation. And while audiences are looking to be entertained, they’re also […]
Member Exclusive‘Stricter than the ad tech industry expected’: Apple clarifies its upcoming privacy changes will leave little wriggle room
A recently published FAQ section on Apple's developer site offers more clarification on how its forthcoming app privacy changes will be applied.
‘Retention has been one of our best stories of the year’: Bob Cohn on steering The Economist through crisis
The Economist has recently switched tactics from being 'an acquisition machine' to honing its subscriber retention tactics — a move its recently appointed president says is paying off.