AskMen.com has served millions upon millions of banner ads since its founding 13 years ago. Those ads have helped it grow into a formidable presence as a top male-oriented site that IGN bought in 2005. But like most publishers, the site wants to do far more than sell display ads, banking instead on revenue streams like e-commerce, licensing and event planning.
“We’re way past the age of selling pixels,” said Armando Gomez, director of advertising and promotions of AskMen. “We’ve had to evolve the offering beyond the pixel, so now we include video, social and offline for activation. We’re moving from the 2.0 to the 3.0.”
AskMen‘s eight-member editorial team and “hundreds” of paid contributors provide men with articles and tips about everything from fashion, entertainment, cars, grooming and pretty much every touch-point a man is interesting in. The site is list-heavy (Top 10 places in the world to drink whiskey) and primed for search optimization (65 percent of its traffic arrives that way).
“AskMen feels like the digital-age version of what Maxim was 15 years ago when it launched, only with a different set of tools, like SEO and email,” said Peter Gardiner, chief media officer at Deutsch.
Like other publishers, AskMen needs to differentiate. It can rightly crow of a larger Web footprint than Maxim, but it’s hold traffic isn’t huge (3.8 million in July) and has trended down for the past year. AskMen blames increased mobile use for the decline. One differentiator in an online ad game that’s biased toward scale is helping content-hungry brands.
AskMen recently worked with Bayer’s One A Day Men’s Pro Edge to develop a sponsored-content site with custom articles and videos. The section was then promoted like conventional editorial, with homepage, run of site and social media promotion. The company launched AskMen Academy in June, Gomez’s version of bringing a “360 package” to brands. For brands like Unilever (Clear shampoo), AskMen Academy ties in custom branded content — articles and videos — to bring influencers together with experts to get individualized advice at an event.
“Doing content creation for clients, it’s our bread and butter,” Gomez said. “My team (of four) is a mini-creative agency.”
“If you’re looking for young, hip guys, they’d be on your list,” Gardiner said. “They have an interesting array of ways to connect with consumers. Nobody’s thinking the interactive/digital stuff is about banners. It’s about engagement and connection, so what they’re doing is interesting.”
The company is in the midst of a redesign, as it noticed that 30 percent of its traffic was coming in via mobile. Given the change of device-usage, the company’s philosophy is shifting towards the tablet experience — and getting deeper with advertisers.
“Selling banners is one thing, but getting a user to connect and try the product, it’s the ultimate goal,” Gomez said.
Image via Shutterstock
In graphic detail: Publishers’ full year 2022 earnings
Looking back at 2022, the hits to publishers' revenue were partially staunched, but by the end of the year nearly all areas of the business felt the impact of the economic downturn.
‘It has to be built in’: How agencies strive to advance their diversity goals
There often is no blueprint for diversity in the corporate world, and many initiatives at media agencies have been works in progress over the last few years.
Publishers tout generative AI opportunities to save and make money amid rough media market
Generative AI technology will be an area of focus for some media companies this year as they work to cut costs and find new revenue opportunities amid a tough media market.
SponsoredBrands are optimizing video production to drive user acquisition
Sponsored by QuickFrame by MNTN With brands increasingly investing in video ads on social media, marketers are enhancing their video production capabilities to unlock growth on Facebook and Instagram. Especially urgent in an uncertain economic climate, brands must minimize production costs while creating a high enough volume of social media videos to identify the creative […]
Digiday+ Research: Video ads are a growing business for publishers large and small
Video advertising's potential rings most true among small publishers, while data points to video advertising already reaching its potential among large publishers — but also not, at the same time.
How The Guardian’s Luis Romero is selling the legacy U.K. publication in the U.S.
The Guardian U.S.'s Luis Romero is working to grow the U.K.-based publishers' ad business in North America while combating the pervasive brand safety problem facing all news publishers.