Fashion and beauty brands are teaming with AwesomenessTV to reach Gen Z
AwesomenessTV, the digital media company that began as a multi-channel network on YouTube in 2012, is collaborating with fashion and beauty brands on one-off content series geared toward its lucrative Gen Z audience.
Since 2014, the company has worked with Kohl’s, Old Navy and CoverGirl on five separate initiatives — Hollister is the latest brand hoping to capitalize on its impressive reach. AwesomenessTV, which is co-owned by Dreamworks Animation and Verizon Hearst Media Partners, boasts over 4.6 million YouTube subscribers across 90,000 channels and is said to have generated over 17 billion lifetime views.
On Saturday, the Abercrombie & Fitch–owned Hollister launched a 24 episode docu-series on the platform titled “This Is Summer,” which follows a group of seven high school students as they navigate the school year and all of the extracurricular dramas that come with it. The outfits of the castmates, all by Hollister, will be made shoppable across the brand’s social channels.
There’s an unexpected music component, as well: Both original and cover songs will be sung by the cast and available on Spotify, and played in Hollister stores across the country. The songs will also be performed at the annual Awesomeness Festival during VidCon.
The cast of Hollister x AwesomenessTV’s “This Is Summer”
However random this project may seem for a clothing company, it’s in line with recent findings about the preferences of Gen Z from Cassandra’s The Entertainers Report, which found that a third of teens ages 14-19 are interested in seeing more original video series from brands. Interestingly, 61 percent of that cohort reportedly like it when brands sponsor events, such as festivals, and 43 percent believe that in the future, all brands will need to have a live event component to survive.
What’s more, 63 percent of these teens like when brands introduce them to new music in stores, making this multi-layered partnership a potential home run for Hollister, which has lost a bit of its ’90s luster, as young people gravitate more toward trendy, fast-fashion brands like H&M and Zara. (To wit, Hollister and Abercrombie & Fitch made a collective $57.7 million, in 2016, while Zara alone made $69.8 million.)
AwesomenessTV has been tapped into these facts for a while now.
In 2015, it partnered with Kohl’s on S.O.R.A.D., a reality series following influencers including Amanda Steele and Arden Rose as they tried to launch their own clothing lines. For Old Navy’s #Unlimited campaign in 2015, it gathered some of YouTube’s top music influencers to create an original song and music video, followed by the My Squad Contest, a chance for fans to hang out with their favorite internet celebrities (while wearing the brand’s clothes, of course). In 2016, it worked with CoverGirl on two series, Wheel of Beauty and Pitch Perfect, that also merged YouTube stars and music to promote the company’s newest products.
A still from CoverGirl x AwesomenessTV’s “Wheel of Beauty” series
According to Paul Kelly, the chief partnerships officer at AwesomenessTV, merging some of these disparate worlds is intentional. “Brands tend to advertise and market in the environments they are familiar with,” he said, noting that beauty companies, for example, often turn to beauty-driven media platforms that attract an audience already very knowledgeable in that category. “[These consumers can be] much harder to influence,” since they are often set in their ways and have sussed out their favorite products, he said.
AwesomenessTV, on the other hand, is a lifestyle brand that crosses numerous categories. “We reflect a wider array of the interests and passions of Gen Z females, which means we can talk about, say, beauty or beauty products in different ways — so, not just instructional content — and to a broader audience,” he said.
These partnerships also offer companies a smart way to reach an audience no longer reliant on traditional advertising channels like television and magazines. Youth marketing and research firm Ypulse’s latest media consumption tracker found that 81 percent of Gen Z watches YouTube at least weekly, compared to just 51 percent who report watching cable once a week or more. But advertising online poses challenges, too. The tracker found 56 percent of this cohort will always skip an ad when given an option, and a quarter of them rely on an ad blocker.
“Younger audiences are choosing ad-free platforms in droves, and the viability of an ad-free alternative makes advertising less tolerable,” said Kelly. “This is why [creating] content is so crucial for brands, particularly in a digital context where we have an oversupply of intrusive media.”
A scene from Old Navy x AwesomenessTV’s #Unlimited campaign video
The good news for brands working with companies like AwesomenessTV is that “we’ve found Gen Z to be fairly open to watching sponsored entertainment,” said YPulse’s chief content officer, MaryLeigh Bliss. 77 percent of those polled for the aforementioned study agreed that, as long as the story is interesting, sponsorship doesn’t matter, while 73 percent simply insisted that it be clearly marked as such.
“The partnership is a smart move for a brand like Hollister, as it further positions the company as a lifestyle brand, not just a retailer,” said Emily Anatole, the associate director of insights at Cassandra. “Increasingly, young consumers expect brands to operate in the culture, not just their specific category.”
‘A symbiotic relationship’: Why social media platforms are getting in front of the growing creator economy
Social media platforms are rolling out the red carpet for creators, in hopes of capitalizing on the growing creator economy.
‘Employers are stereotyping people who are scared of getting a vaccine’: Confessions of a CEO on mandating shots
In the latest of our Confessions series we spoke to a CEO about the tough decisions they face on whether or not to mandate vaccinations for their workforces.
To find new privacy-compliant data sets, Activision turns to data clean rooms
Data clean rooms — as they’re otherwise known — are a repository of sorts where advertisers like Activision are able to get the benefits of sharing their data (think emails or device IDs) with data from media owners without the hang-ups of doing so.
SponsoredHow three top brands transformed their video ad strategies to follow the views
Brian Albert, managing director, U.S. Agency and Brand Solutions, Google Video watch time, particularly for streamed content, is booming. In December 2020 alone, over 120 million Americans streamed YouTube or YouTube TV on their TV screens. Many advertisers are meeting consumers where they are by reinvesting in digital video. In particular, these three brands transformed […]
‘Bullish on the space’: Why Anheuser Busch InBev is testing NFTs in its marketing
Global advertiser believes NFTs can go far beyond the hype. For AB InBev’s marketers, it starts with virtual horse racing.
Climate emergency: Employees challenge their companies to provide environmentally-friendly pension funds
Increasing numbers of environmentally and ethically conscious employees are now challenging their own companies to provide a sustainable pension pot which has a positive impact on the environment. And companies are also looking to divest away from fossil fuels.