Connect with execs from Axios, The New York Times, Paramount and more.
Video: McClatchy’s Grant Belaire on selling subscription ‘side products’
For local news, the main selling point of a subscription is a broad range of coverage and content. But for McClatchy, a media organization producing a lot of local news content, the future of subscriptions lies with the readers who continuously over-index in specific content categories. In this presentation from Digiday’s Hot Topic: Subscriptions and Commerce, which took place in New York City this past February, hear from Grant Belaire, vp, digital audience development at McClatchy, on finding the right content verticals, the creation and launch of Sports Pass, a sports-only subscription product, and what content categories they’re looking to next. The key hits:
- Consumers are being conditioned to expect that they will have to subscribe to something, whether it’s a food delivery service, or a news source.
- Side products, like McClatchy’s sports-only subscription Sports Pass, allow the consumer to feel like they are paying for the content they are already over-indexing in.
- It’s OK if a full-paying subscriber wants to convert to a smaller product, because the important result is that they’re still a subscriber, since the other option is no subscription at all.
Listen to this presentation on the Digiday Live podcast here.
More in Media
Media Briefing: Declared ‘good bots,’ mixed-use crawlers, gray scrapers – how AI accesses publisher content
The Cloudflare’s latest AI settings reshape how compliant crawlers behave, yet the biggest leakage for publisher content remains a gray scraping economy that doesn’t bother to play by those rules.
In Graphic Detail: The state of streaming highlights the power of creators
“Just Chatting” is the driving force behind views on major streaming platforms, thanks to the appeal of personality-driven creators
Hot Ones creator Sean Evans on YouTube vs. TV, the interview boom and what comes next
Hot Ones host and TIME 100 top creator Sean Evans chats about the creator economy’s past, present, and future