How Thrillist proves brand content works
Thrillist isn’t the first publisher to build out a content studio — everyone from The New York Times to Vice has spun one out — but Thrillist sees an opportunity to differentiate with a hardcore data focus that comes naturally to a publisher that’s also a retailer.
For Thrillist’s 16-person brand content team, called The CoLab, that means using months-long brand health studies and benchmarking campaign performance against competitors.
“[It] stemmed from a desire to validate everything we say about our branded efforts,” said Paul Josephsen, vp of The CoLab. “If you tell a client their campaign saw 35 percent brand lift, they’ll say, ‘Cool.’ But if you tell them it performed in the 90th percentile of their entire category, then you’re really getting somewhere.”
TMG has relied heavily on its internal research capabilities, led by research manager Bobby LaCivita, to provide this information to its advertisers. LaCivita and his team have developed dozens of best practices. Their findings range from quantitative editorial insights (include 30 brand-terms per article to drive maximum purchase intent) to design guidelines (the strongest banner ads contain 30 percent direct branding). LaCivita then relays this information to the creative teams, which generate content and optimize based on the findings.
“At The CoLab, we really understand that not all content is built the same,” said LaCivita. “So we use science to give direction to our creative processes.”
One major result of LaCivita’s research is the TMG Branding Cell, which helps writers brainstorm a range of terms — both heavily branded and loosely branded — which are then used to guide the process of content creation. This BuzzFeed-style article about Texas, for example, was written for Lone Star Beer with guidance from the branding cell below. The article includes terms from each of the three critical tiers: direct branding, product category mentions and main-theme terms.
“As an editor, the Branding Cell has given me a completely new way to look at my work,” said Hayden Lynch, senior director of creative strategy at The CoLab. “It challenges us and holds my team accountable for the success of our work. What it really does is take the guessing out of creativity.” Meaning, they have a pretty good idea of how each piece of content will perform before it’s even published.
For Thrillist, the data capabilities are a way to differentiate in a crowded market.
“They’ve been so smart about how they’re packaging this CoLab offering,” said Sam Olstein, the global director of innovation at General Electric and a longtime TMG client. “The collaboration between their creative and research teams, and the learnings and insights they provide, is exceptional. I can’t wait to see what they do for us next.”
‘There’s no revenue on it’: Why publishers aren’t prioritizing Instagram Reels
With no immediate way to make revenue, some publishers don't want to prioritize original content for the new 15-second format.
The second wave of agency staff cost cuts is starting to build — but it might not crash as hard as the spring swell
The first wave of pandemic-induced agency labor cuts were about survival. The next is about how agencies set themselves up going forward.
‘Dying to work’: With A-list talent sitting at home, publishers eye video collaboration opportunities with them
Production companies can't shoot movies or shows, so publishers are trying to make themselves useful to talent.
SponsoredSeeking revenue stability, publishers are assessing buy-side credit risks
As the industry navigates the continued impacts of COVID-19, here’s the questions publishers should ask their programmatic partners or ad management providers to protect themselves from clawbacks and lost revenue.
‘Safe-space’ signs and which direction to face: At 30% capacity, how News UK is returning to the office
Now, with a maximum of three per elevator, "safe space" signs show people which direction to face and are manned by a team who press the buttons for staff.
The subscribe page has become a laboratory for news publishers experimenting with revenue stream options
The subscribe page on news publishers' websites has become an area of continuous testing for some news publishers.