How Thrillist proves brand content works
Thrillist isn’t the first publisher to build out a content studio — everyone from The New York Times to Vice has spun one out — but Thrillist sees an opportunity to differentiate with a hardcore data focus that comes naturally to a publisher that’s also a retailer.
For Thrillist’s 16-person brand content team, called The CoLab, that means using months-long brand health studies and benchmarking campaign performance against competitors.
“[It] stemmed from a desire to validate everything we say about our branded efforts,” said Paul Josephsen, vp of The CoLab. “If you tell a client their campaign saw 35 percent brand lift, they’ll say, ‘Cool.’ But if you tell them it performed in the 90th percentile of their entire category, then you’re really getting somewhere.”
TMG has relied heavily on its internal research capabilities, led by research manager Bobby LaCivita, to provide this information to its advertisers. LaCivita and his team have developed dozens of best practices. Their findings range from quantitative editorial insights (include 30 brand-terms per article to drive maximum purchase intent) to design guidelines (the strongest banner ads contain 30 percent direct branding). LaCivita then relays this information to the creative teams, which generate content and optimize based on the findings.
“At The CoLab, we really understand that not all content is built the same,” said LaCivita. “So we use science to give direction to our creative processes.”
One major result of LaCivita’s research is the TMG Branding Cell, which helps writers brainstorm a range of terms — both heavily branded and loosely branded — which are then used to guide the process of content creation. This BuzzFeed-style article about Texas, for example, was written for Lone Star Beer with guidance from the branding cell below. The article includes terms from each of the three critical tiers: direct branding, product category mentions and main-theme terms.
“As an editor, the Branding Cell has given me a completely new way to look at my work,” said Hayden Lynch, senior director of creative strategy at The CoLab. “It challenges us and holds my team accountable for the success of our work. What it really does is take the guessing out of creativity.” Meaning, they have a pretty good idea of how each piece of content will perform before it’s even published.
For Thrillist, the data capabilities are a way to differentiate in a crowded market.
“They’ve been so smart about how they’re packaging this CoLab offering,” said Sam Olstein, the global director of innovation at General Electric and a longtime TMG client. “The collaboration between their creative and research teams, and the learnings and insights they provide, is exceptional. I can’t wait to see what they do for us next.”
Pinterest testing new co-sold, revenue-share ad model for publishers with Tastemade
Currently in an experimental phase, Tastemade is the first publisher to sign on and the brand that is funding this ad experiment is corn chip snack Fritos.
As publishers clean up automated supply chains, education-title Chegg cut ad resellers and saw no negative impact on revenue
"We were told as publishers that resellers were so important, but no [publisher] has communicated to me they removed resellers and lost X% lift."
Member ExclusiveThe Facebook ad boycott could help publishers swing the pendulum back to context
Publishers have a golden opportunity to shift thinking around the role context, broadly defined, should play in advertising.
SponsoredFour ways to adapt to the changing publisher ecosystem in 2020
By Neal Sinno, general manager Americas at GeoEdge For marketers, 2020 started out with so much promise — but this changed rapidly as the industry faced a global epidemic head-on. Not only did our own daily routines come to a screeching halt, for many of us our professional lives did as well. Almost as quickly […]
Patagonia: Boycotting Facebook ads will lead to an ‘even more thoughtful approach’ to its ad buying
Patagonia has pulled all paid ads from Facebook and Instagram until at least the end of July. The boycott will extend if the advertiser has seen three specific changes to how the social network handles hate speech.
How Substack has spawned a new class of newsletter entrepreneurs
As the media ecosystem contracts amid coronavirus, Substack has been thrust into an uncomfortable role — that of a savior.