Look out Instagram, here comes LinkedIn
Talk of the rise of the visual Web evokes images of Kim Kardashian preening at her smartphone, grainy photos of poached eggs over avocado toast and people tweeting screenshotted excerpts of New Yorker articles. But now, LinkedIn wants in on the visual Web.
LinkedIn has been slowly rolling out a homepage redesign aimed at, among other things, convincing users to share more images on the platform. Now when users log on to LinkedIn, they’re met with a button placed front and center of their screening that urges them to “Upload a photo.”
So far, the strategy appears to be bearing fruit. The number of images shared and viewed has increased in recent months, according to LinkedIn spokeswoman Leslie Hobbs, although she declined to say by how much exactly.
The move coincides with other major platforms aiming to make their platforms more visual, as well. Twitter redesigned its feed in late October 2013 such that photos would appear automatically in users’ feeds instead of users having to click on a link and open the image in another window. The change was credited with a subsequent increase in per-tweet engagement.
While only 10 percent of tweets have photos, tweets with photos account for almost half of the most engaged with tweets, according to a November 2014 study of more than 1 million brand tweets conducted by social media analytics firm Socialbakers.
Images have long played a major part in Facebook’s popularity, but that didn’t stop the platform from purchasing Instagram for $1 billion in April 2012, a relative steal considering Citigroup recently valued Instagram at $35 billion.
Oddly, photo posts were the least popular post type on Facebook, trailing video and even link and plain text posts in terms of reach, according to Socialbakers. And then there’s Pinterest and Snapchat, two inherently visual platforms that are reportedly valued at $11 billion and $15 billion respectively.
Images could help further boost LinkedIn’s mobile growth, which has more than made up for a slight decline in desktop uniques in the U.S. from February 2014 to February 2015, according to research firm comScore.
“On mobile, the emphasis is more casual or event-related — colleagues at a team event or things you’re seeing at a conference,” LinkedIn homepage engineer Nash Raghavan told Digiday. “On desktop, they have access to additional visuals that we commonly see shared: infographics, product images, etcetera. You’ll see the platform experiences converge in the future.”
So obviously there’s money to be had in digital images. But for Socialie, a company that makes social media marketing software and advertises itself on LinkedIn, the more visual nature of the platform is secondary to LinkedIn’s targeting capabilities.
“The visual aspect isn’t super important to us for LinkedIn,” Socialie founder Kristin Adams told Digiday. “It’s nice but we’re there solely because we want to reach professionals in specific job roles.”
Adams added that mastering the visual Web remains a challenge for LinkedIn, especially relative to Facebook and Twitter, which have progressed beyond mere still photos and are now aggressively pushing more high-quality video into their users’ respective streams.
“We’ve only recently started advertising our product on LinkedIn but what I’ve found so far is that the news feed is no where near as active as the other big guys,” Adams said. “It sounds like LinkedIn had some catching up to do with the rest of the web. Photos and video really rule the content world and giving them more importance on the homepage will hopefully encourage more sharing and more engagement among users.”
When asked if it was looking to get into video, LinkedIn declined to comment.
Image courtesy Getty Images
‘Walk before you run’: Sports publishers look to blow out their betting content
Over the past 12 months, several large sports media brands have signed partnership deals with sports books
‘It’s a virtuous cycle’: Audiences and advertisers seek health and wellness content and publishers are seeing green
Publishers are building new content products that give audiences more health and wellness content and advertisers more partner opportunities.
Election-focused products charge U.S. growth at The Economist
The brand's focus is covering the upcoming election, building up the leadership team and creating an aggressive three-year growth plan.
SponsoredB2B events were broken before the pandemic, their online reinvention is creating positive change
Kim Darling, executive producer, Inbound Farewell lanyards, business cards and branded pens — it’ll be some time before people get their hands on these souvenirs of in-person events again. As the COVID-19 pandemic continues to transform the way people work, buy, sell, socialize and entertain themselves, the global events industry is facing its biggest-ever challenge. […]
‘Necessary, but insufficient:’ Advertisers are starting to question the value of low exchange fees
Large changes in bid price can often produce small changes in an advertiser’s ability to win those auctions.
‘One beat in an ongoing movement’: BET+ general manager Devin Griffin on the streamer’s evolution
Pre-launch research for BET+ found a lot of demand for content focused on Black stories and experiences, but 'the supply is not quite right.'