The sad state of American TV ad copywriting
Mark Duffy has written the Copyranter blog for 11 years and is a freelancing copywriter with 25-plus years of experience. His hockey wrist shot is better than yours.
Techies, you need to get your AI copywriters up and running, post-haste.
No one under 50 watches TV commercials anymore, but big companies with big budgets keep paying big ad agencies to create big spots. Badly conceived, badly written, big stupid spots. To the stupid:
“Women? We eat. We don’t doubt it. We own it.”
That’s … good, ladies, because otherwise, you’d be dead. Via their agency Leo Burnett, Special K last month debuted maybe the worst example yet of awful, New Age “femvertising.” Watch the ad; listen to the copy. This commercial “eats” all right. As YouTube commenter “Bathtub Toaster Party” wrote, “this feels like a click hole (sic) video.”
It’s a bit unfair to attack insurance ad copy as these commercials generally — on purpose — say absolutely nothing of substance. But this pretentious psychobabble-ly MassMutual spot would have gotten an F- from my freshman Intro to Logic professor. The theme is that people (families) should “live mutual” as opposed to independently, which fine; OK, you sell life insurance, I get it. (Here’s the full script.) There are some heady outerspacey shots to make sure you’re not just weeping but bleeding from the heavy-handed gravitas. But this declarative line takes the hooey cake:
“No one who chose interdependence ever found despair.“
No one. No one ever? I think you need to define “despair” for me, MassMutual. The ad is by Johannes Leonardo, a New York agency that claims to “treat the consumer as the new medium.” I really have no idea what that statement means. Maybe they project ads onto the backs of unsuspecting tourists walking around SoHo?
Commercials by America’s top two crappy breweries have been in heavy TV rotation recently during the NBA and NHL playoffs. Coors (via agency 72andSunny) continues to misuse Sam Elliott’s voice to hawk its “banquet” beer and continues to insist that a bottle of beer isn’t an inanimate object. It’s “fiercely loyal,” it “looks you in the eye and firmly shakes your hand” (maybe after you’ve had nine 0r 10 boilermakers, it does), and “has conviction” (a spot from last year’s campaign that has been rebooted).
But it’s Bud Light that has launched the shiny new effort this spring: “Famous Among Friends.” The lead spot is a best man’s wedding speech that’s a creative mashup of moments between the two friends. But then at the end, you get this groaner of a supered line that transports you to an exciting marketing deck meeting and completely ruins the spot:
Yep. They (Wieden+Kennedy, New York, for crissakes) crammed in the old hackneyed copy kicker: “You’re not just _____, you’re _____.” Another spot in the campaign slips in the even brain-deader VO line, “We don’t just brew beer, we brew beer for friends.” (What’s the extra “friend” ingredient? Xanax?)
You had a perfectly OK American (well, Belgian) beer ad, people! All you had to do was go straight to the tagline. But no: You had to force feed the alcoholism+friendship strategy down sober loner millennials’ throats. These unsubtle lines feel like mandatory client revisions. For your sake, W+K, I hope they are.
Honestly, I’m jealous of you digital natives who have figured out how to watch TV content without watching a TV or TV ads. But then, I’d have nothing to write about, so please don’t tell me your “tech tricks.”
TikTok’s uncertain future: the issues marketers should (and shouldn’t) fret over
A TikTok ban would require U.S. lawmakers to prove that the short-form video app is a genuine national security risk. So far, that hasn’t happened.
Maybe Web3 isn’t as dead as it would seem, as agencies play with new data-generating models
Agencies are continuing to invest in Web3 technologies in new ways, from client activations to data management.
Why real estate company Windermere is adding influencers to its marketing mix and spending half of its ad budget on them
Windermere is working with Seattle-based agency PB& as well as the home-focused publication Domino to partner with influencers like design influencer Max Humphrey.
SponsoredHow critical data pillars will increase brands’ confidence in CTV
Mario Diez, CEO, Peer39 With every quarter, the balance of TV viewership slips away from the traditional linear model and more towards connected TV. Less than half of the adults in the U.S. subscribe to cable or satellite, and fewer than half of the households watched linear TV daily in the second half of 2022. […]
Digiday+ Research: Agencies’ attitudes on secondary social platforms have seen ups and downs (especially on Twitter)
Digiday+ Research surveyed over 100 agency professionals, and found that agency clients' approach to the channels categorized as "other social platforms" has been somewhat erratic over the last year.
Why DOOH is a big draw for startups and direct response marketers
As digital ad channels, like social and paid search, become saturated and data privacy gets more restricted, startups and small businesses turn to DOOH to boost brand awareness.