‘The industry is demanding it’: Spotify adopts Nielsen Brand Effect for verification on ad platform
Spotify announced Sept. 11 it’s adding Nielsen Brand Effect to its third-party verification suite — another sign the platform is trying to meet advertisers’ demand for proof that it drives sales.
Back in 2011, Spotify got away with saying its audience was “unique” and quite “big,” according to a pitch deck. Now, as the publicly traded company matures, Spotify’s adding another measurement solution from Nielsen — it already uses Nielsen Digital Ad Ratings — so that advertisers can better analyze brand awareness, perception and purchase intent. The company also recognizes the need for verification has become more necessary over the past year.
“When I started [in 2013] our pitch to brands was, ‘Hey, we’re cool and sexy, align with Spotify,’ but the industry has changed so much in the last five years. That’s not good enough anymore,” said Brian Benedik, Spotify’s global head of advertising. “Proving lift, awareness and intent: Those were nice to have a few years ago, but now the industry is demanding it. Erosion of trust and questioning brand safety has really driven the need for all publishers and platforms to provide third-party verification. [Our work is] very much in response to what brands are demanding.”
Spotify has 180 million total monthly active users, about 101 million of whom use its ad-supported version, the company reported in July. Those ads include audio and video ads. Over time, Spotify has added more third-party verification. Nielsen Brand Effect will be available for ads in the U.S., Germany, U.K., Australia, Canada, Japan, Mexico, The Netherlands, Spain and France, for now.
Platforms have been under pressure from advertisers to be more transparent about their ads. Spotify was one of the first streaming music platforms to work with Nielsen and provide advertisers with an independent view of their audiences, said Jessica Hogue, Nielsen’s svp of digital solutions.
Spotify touted Allbirds and Dunkin’ Donuts as successful members of the beta test for Nielsen Brand Effect. Spotify said that Allbirds used Nielsen Brand Lift to analyze a campaign they ran on Spotify in the spring. The shoe maker ran audio, video and display ads on Spotify to U.S. users and reported a 4.7 times lift in brand awareness, 1.5 times lift in favorability and 6 times lift in associating the word “comfort” as a tenant of the brand. Lift, in this case, refers to the difference between people who were exposed to the ad versus those who weren’t. Separately, Dunkin’ Donuts had a 65 percent lift in ad recall in a campaign about its cold brew iced coffee.
Beyond verification, Spotify has been experimenting with its ad experience. It’s running a test in Australia called Active Media where it’s allowing users to skip ads, by choice, instead of blocking ads, a problem Spotify has acknowledged. Benedik said Spotify’s interest in skippable ads in part stemmed from the functionality of the larger ecosystem, where users get to choose what songs to listen to and create playlists. Spotify plans to share insights on that test in the future, Benedik said.
Spotify also has been working to get more small and medium-sized business into its ad network. At the end of last year, Spotify launched a self-serve tool called Ad Studio, which it wants to expand through more integrations.
“It’s the journey to becoming a platform, not just a publisher. Today we work with thousands of brands, but we envision a future where we’re working with hundreds of thousands of brands, and the only way to get there is to provide efficiency to the business,” Benedik said.
How (and why) agencies are adapting to stay relevant in the metaverse
To get more comfortable in this new environment, some agencies are getting involved in experimental projects to stake their claim to the metaverse.
‘Reach a totally different audience’: With Sundance virtual once again, marketers pivot to online experiences
Until earlier this month, this year’s Sundance was meant to be a hybrid festival with attendees returning to Park City to participate in-person as well as virtual elements for attendees to tune-in online.
Pepsi launches app and short ‘trailer’ to hype Super Bowl halftime show
The soft-drink giant will promote its Super Bowl Halftime show with a newly launched app and a short film directed by F. Gary Gray.
SponsoredHow the relationship between live events and mobile devices is evolving in 2022
Sponsored by AdColony The pandemic has accelerated changes in the way people consume content — and live events are part of that transformation. For advertisers, the questions are the kind on which campaign success depends: In what ways (and numbers) have people returned to watching sports, e-sports and events such as the Grammys? Are they […]
‘The business is at a level of scale now’: The Brandtech Group CEO David Jones on building a business for the ‘post-advertising’ world
Not only is the holding group past the hype cycle peak these businesses usually encounter, it’s skipped right over the trough of disillusionment that tends to follow and is straight into growth mode.
In Graphic Detail: The great gaming consolidation
Gaming is in the midst of an M&A arms race. The protracted pandemic has made sure of that.