Digiday Publishing Summit:

Connect with execs from The New York Times, TIME, Dotdash Meredith and many more

SECURE YOUR SEAT

Facebook is cutting prices in its brand-content matchmaking program

With its nine-month-old Anthology program, Facebook looked to match up brands with publishers for high-end branded-content programs. But since its April launch, Anthology is mostly stalled, beset by high price points and tepid demand.

Facebook’s looking to change that in order to give Anthology a boost. To start, Facebook is slashing the minimum commitment for Anthology programs from “several” million dollars to $1 million, according to publishers. It is also looking to expand the program from the initial pool of seven publishers, which included Vox, Funny or Die, and Vice.

“Facebook was overly ambitious with the deal size to begin with. They wanted huge deals,” said a publishing source. “It’s hard for brands to plunk down lots of money on something new, so we encouraged smaller deals to prove the product.”

The video program’s idea was to allow publishers to act like creative agencies in helping brands produce high-quality video specifically for Facebook’s news feed. The videos would be crafted for Facebook, taking into account how news-feed videos are muted and quickly skipped. Brands like Intel and Rold Gold have been Anthology advertisers. Rold Gold teamed with Electus Digital. Intel hired The Onion to create a spoof video featuring Saturday Night Live’s Kenan Thompson.

 

 

You have to work. You also have to take breaks to, you know, stay motivated. Watch this for a boost and remember, YA GOLD! Break Happy with a box today.

Posted by Rold Gold on Monday, December 28, 2015

Facebook declined to comment for this story or share numbers from the program.

Anthology deals can be struck by either Facebook, which pitches the brands to work with any one of the publishers, or by the publishers, which can bring in the advertisers.

In interviews with several Anthology publishers, the sentiment was that the program has been successful helping advertisers achieve mass reach with their commercials. The only tweaks that needed to be made to the program were around how deals were structured, according to sources.

Publishers are eager to find any way they can to generate money from Facebook video. Many have racked up gigantic view numbers, but right now, there isn’t a widely available way to monetize those views.

“We’re only seeing Facebook video monetization at about 10 to 20 percent of its potential,” said Jan Rezab, chairman of Socialbakers. “We also need to be seeing more video creation on Facebook before more monetization can happen.”

It’s not unusual for premium ad services like Anthology to start out with high price tags that dampen demand. Twitter’s Promoted Moments, for instance, a new branded experience for advertisers, cost $1 million and has faced some resistance in the market.

Image courtesy of The Onion and Intel.

https://digiday.com/?p=156414

More in Media

Three publishers’ workforce diversity reports show DEI efforts remain sluggish

Overall, staff diversity at The New York Times, Hearst and Condé Nast has either marginally improved or stalled in 2024, according to their annual workforce diversity data this year.

Retail media meets publishing: News UK, Future and Ocado tap clean room tech for smarter data targeting

News UK, The Independent, Immediate Media and Future are teaming up with retail media network Ocado to test clean room-powered data matching. 

From sidelines to spotlight: Esports events are putting creators center stage

Esports events’ embrace of content creators reflects advertisers’ changing priorities across both gaming and the wider culture. In the past, marketers viewed esports as one of the best ways to reach gamers. In 2025, brands are instead prioritizing creators in their outreach to audiences across demographics and interest areas, including gaming.