YouTube Grows Up

YouTube has long been tagged as the home of the skateboarding dog video. But it’s starting to grow up, with an ambitious channel strategy and a cottage industry of production companies.

Big Frame, an online media company and talent management firm, is one of them. It has signed up a passel of YouTube stars like MysteryGuitarman (who has 2 million subscribers who have watched his videos 325 million times) and DeStorm (1.2 million subscribers, 175 million views) to deals to create custom video content for clients like Home Depot, Tide and BBC America.

The company is the new media intermediary between talent and brand, helping one become a star and the other to tap into the YouTube cultural phenomenon.

“The next big piece of the puzzle that we need to deliver on the content side is these programming packages that make sense for advertisers, that feel comfortable to them, to take advantages that make it safe,” said Steve Raymond, CEO of Big Frame.

YouTube seems to be moving in that direction. While digestible, snackable content is what arguably drives content, in order for YouTube to get even close to the TV dollars, it needs to have content that people will consume for extended periods of time. Hence, the NewFronts from a few months ago. Basically, YouTube is working with content partners to incentivize people to look at YouTube as a program. With longer form and short-form content, it would appear the world is YouTube’s (and its advertising partner’s) oyster.

“When you’re talking about 5 billion streams a day around the world, there’s a big opportunity for brands to reach customers in better ways,” Raymond said.

But brands have a stake in this too, especially on the content side. With so much time being spent on the site, it’s foolish for a brand not be a part of the ecosystem. But, according to Raymond, media companies and brands need to try to understand the ad units YouTube is using.

“I don’t think a lot of people on my side are factoring that in,” Raymond said. “It’s a transformative way to buy media, a pay per view on auction. It doesn’t feel similar to the way TV is sold, but it’s what worked in search. You don’t pay a customer you show an ad to, just to those who act on it. So you spend more per view, so the economics for YouTube, if you get it right, are much better than traditional media.

Image via Shutterstock

More in Media

Publishers test new TikTok feature that adds links to organic videos

Publishers are testing a TikTok feature that adds links to organic videos, and hoping it can help drive traffic to their sites.

Digiday+ Research: Publishers take their focus off events as revenue dips

The percentage of publishers making money from events hit a low as of the first quarter of this year and, as a result, fewer publishers plan on putting a focus on growing that part of their business.

What platforms, brands and agencies hope to get out of the Possible conference in year 2

Year two of Possible is once again being held in Miami Beach, and it will take place from April 15-17 with 3,000 attendees expected to listen to another 200 or so speakers, including Snap’s Colleen DeCourcy, Uber Ads’ Megan Ramm and UM Worldwide’s Matthew Smith.