The Washington Post believes there are people who are passively following the election, wanting to stay reasonably informed. And then there are the people who want to parse every last detail. To cater to this audience, the publisher is going to Facebook Live to provide extras and outtakes of the proceedings.
Tonight marks the eighth (eighth!) Democratic primary debate between Hillary Clinton and Bernie Sanders. Hosted by The Washington Post and Univision News, it will be broadcast on TV on Univision (in Spanish) and CNN and Fusion (in English). The entire debate will also be live streamed by the Post on its website and Apple TV app, starting at 8:45 p.m. ET.
But on Facebook, the publishers will provide a deluxe second-screen experience for the politically obsessed, including live behind-the-scenes coverage, analysis from debate moderators in advance of and directly after the event, as well as real-time observations from Post reporters through the broadcast. In total, the Post and its reporters expect to go live nearly a dozen times by night’s end.
“There are people who are going to follow [the debate] on Facebook. That’s an audience we want to reach, with as much content as they want,” said Micah Gelman, director of editorial video for The Washington Post. “It’s a great opportunity to show what goes on behind the scenes. People are interested in that part of the political process, and Facebook Live allows us to really dive deep in a way that we couldn’t in a traditional streaming opportunity.”
In other words: go to the Post’s wesbite and Apple TV app for a live stream for the actual debate and anchored analysis; go to its Facebook live streams to get a feel for what the debate atmosphere is like and real-time expert opinions from the paper’s crew of political reporters.
As with other publishers embracing Facebook live streaming, Gelman admits that the appeal of Facebook versus other live video platforms is in its reach. The publisher has more than 3.9 million Facebook fans, who — as long as they haven’t turned live notifications off — will be notified by Facebook whenever the publisher initiates a live broadcast.
As a result, the Post has been experimenting with Facebook live streaming for a few months. It will host Q&A’s with reporters out on the field or the newsroom and go live when applicable during a major news event — such as the recent East Coast blizzard. In a typical week, the publisher produces 6 to 12 live streams per week, according to Gelman.
The effort is overseen by the Post’s social media team. Though video content produced by the team often happens in collaboration with the publisher’s video team, which staffs 40 people. (It helps that Facebook live videos don’t require more than two or three people.)
“We’re still trying to figure out what the right rhythm is,” said Gelman. “We don’t want to formalize something that’s not practical. We want to figure out what the audience is, the right time of day, the amount of resources we need to devote to it — and then we will grow it.”
The Post’s Facebook live efforts also coincide with a greater focus on live content in general across the paper’s digital platforms. Whereas before the paper would do one or two live broadcasts around major events, since last fall it’s been producing multiple live segments per day spanning breaking news, event coverage and analysis.
Facebook Live will remain a key area of focus for the Post as it continues to distribute content on the platform. While it’s going for the raw, intimate look right now with its live streams, the Post doesn’t rule out doing more polished live broadcasts on Facebook in the future. “They’re planning to evolve the platform to allow for that,” said Gelman.
Member ExclusiveMedia Buying Briefing: From Cannes Lions, wrestling with measurement, fraud and the ‘multiverse’
Ask 10 media buyers their most important issues at Cannes Lions, you’ll get 11 different answers. The one consistent theme expressed: happiness at being able to get together again in person to share ideas, visions, deals and frustrations.
‘The juice is not always worth the squeeze’: Publishers evaluate cost-per-click pricing models in their commerce businesses
Vice Media Group and Hunker see an opportunity for CPC pricing, but Wirecutter doesn't think it's worth the effort.
Digiday DealBook: Walmart’s new advertisement deals, Twitch’s change to streamer revenue, Equal Entertainment Acquiring Pride Media, and more
Walmart's new advertisement deals, Twitch's change to streamer revenue, Equal Entertainment Acquiring Pride Media, and more in this week's Digiday DealBook.
SponsoredFor brands, first-party data is unlocking the cookieless ecosystem
Bill Masterson, President, Publishers Clearing House A dominant factor guiding the industry has been that cookies and mobile app IDs are vanishing and will be replaced by some mixture of new and emergent identity solutions. As a result, the market is alive with new and exciting alternatives to replace the third-party browser cookie and mobile […]
Media ERGs foster community among hybrid workforces
Managers at media firms are intent on fostering company culture and connection among their hybrid employees. ERGs are proving to be a valuable channel for achieving those goals.
Why rent-to-own brand Aaron’s tapped Mr. T to enhance brand awareness
Rent-to-own retailer Aaron's is looking to boost brand awareness through bilingual TV spots as well as out-of-home and print ads -- all with a little help from Mr. T.