Rainbow bagels and Pizza Rat: Inside Play-Doh’s branded-content strategy
This is part of a series on content strategies for brands as publishers, a deep dive into how brands are building out content offerings.
In a time when kids learn to swipe before they can walk, you’d be forgiven for thinking squishing Play-Doh is no longer a rite of passage. But the Hasbro brand has found a way to make itself relevant to both kids and their parents through an array of creative branded content.
One way the brand has done this is by capitalizing on current events. Taking a cue from the 24-hour news cycle, Play-Doh’s social, brand and PR teams follow a “24-hour imagination cycle” — where they keep track of viral and cultural moments in real time. They then find ways to whimsically insert the brand into the conversation and drive engagement by recreating those moments out of Play-Doh.
When “Pizza Rat” went viral last fall, for example, the company tweeted out its own Play-Doh Pizza Rat. It was accompanied by the copy “In a city that’s famous for Pizza, even the animals wants a slice of the action. #PizzaRat.” The post had over 32,000 Likes, 1,200 comments and 2,600 shares.
More recently, when the “Rainbow bagel” emerged as New York’s latest weird food trend, the brand created one using Play-Doh and circulated it across social media, amassing nearly 7,500 likes, 100 comments and 200 shares across Play-Doh channels.
“Play-Doh naturally lends itself to the process of creation and storytelling and through digital, we are giving our fans another platform to exercise their creativity and imagination,” said Victor Lee, svp of digital marketing at Hasbro. “It may be a tactile experience, but the visual nature of platforms today helps us continue to inspire that creativity with our content.”
That content comes in the form of colorful still images and GIFs for Instagram, and stop-motion animation videos for YouTube and Facebook. The brand has also taken to live streaming, hosting its first Facebook Live broadcast last month. The 42-minute stream featured an in-house Play-Doh sculptor creating emojis out of Play-Doh. The video organically reached over 573,000 people, generated nearly 500 comments during the broadcast and has been viewed over 25,000 times.
“On other channels fans may only see the end-product, but what we’re trying to demonstrate through Facebook Live is that creativity doesn’t have to be difficult,” said Lee. “We’re making them a part of the process, giving them an authentic look at how the sculptures are made and letting them interact with the personalities behind them in real time.”
Play-Doh’s strategy hits all the right notes, said Kari DePhillips, owner at The Content Factory. “I think it’s brilliant, especially since it ties in with the versatility of the product while showcasing it,” she said. “That’s something you can only do with Play Dough; it’s the very nature of the product that enables them to do really cool things in real time at a relatively low cost.”
Given its scale and global reach, Facebook is Play-Doh’s key platform, said Lee. With 1.8 million fans on the social network, the brand often gets the most engagement on Facebook. That’s not to say it doesn’t focus on other platforms. According to Lee, posts on Instagram are a “colorful burst of creativity,” whereas claymation and unboxing videos are particularly popular on YouTube. The brand is also taking content beyond social media. A Play-Doh movie in partnership with 20th Century Fox is currently in development.
“While we hope that great content ultimately drives commerce, that is not our primary objective,” said Lee. “Elevating engagement among our fans is the ultimate measure of success for us.”
Member ExclusiveMarketing Briefing: ‘Bad behavior is positively rewarded’: Why brands continue to push the line on social posts
But recent posts, like Pabst Blue Ribbon’s sexually explicit tweet that got its social media manager fired as well as brands like Ruggables, Hellman’s mayonnaise and Peacock, among others, jumping into TikTok’s West Elm Caleb trend on TikTok have some in the industry questioning were the line is when it comes to standing out or going too far on social media.
Member ExclusiveDigiday+ Research: Agency remuneration models are poised to change in 2022
Just around one third of agency respondents said that their agency's remuneration strategies would stay unchanged.
ReKTGlobal’s diversified business model provides a road map for other esports ‘holding’ companies
Unlike many esports orgs, ReKTGlobal is a diversified business with growing revenues. But it had to burn brand recognizability to get there.
SponsoredHow the relationship between live events and mobile devices is evolving in 2022
Sponsored by AdColony The pandemic has accelerated changes in the way people consume content — and live events are part of that transformation. For advertisers, the questions are the kind on which campaign success depends: In what ways (and numbers) have people returned to watching sports, e-sports and events such as the Grammys? Are they […]
‘Going above and beyond usual benefit norms’: Companies are starting to give employees time off for pregnancy loss
In an effort to better support working parents, companies across the industry are ramping up family leave policies for everything from miscarriage to adoption.
How (and why) agencies are adapting to stay relevant in the metaverse
To get more comfortable in this new environment, some agencies are getting involved in experimental projects to stake their claim to the metaverse.