How luxury brands try to straddle the accessible-exclusive divide
There’s a fine line for luxury brands balancing a tradeoff between the accessibility of digital and the exclusivity of something that’s meant to be special.
“Many luxury brands have a 200-year-old heritage,” said Dan Hagen, chief strategic officer at Carat, who notes that the biggest challenge for incumbents is keeping up with digital media channels. “A big change is in the corporate culture of becoming more transparent and taking a more experimental approach.”
The trouble is that this transparency is at odds with many luxury brands’ cultural heritage.
“Many luxury brands, like watchmakers, have retained a competitive advantage by keeping secret how they manufacture their products and keeping that mystique,” Hagen said. “It’s not about exclusiveness in how they operate but about what exclusiveness they can bring to me.”
Exclusivity is an important facet of what’s perceived to be luxurious. Hearst examined generational attitudes toward luxury brands across millennials, Generation X and Boomers, and found that 54 percent of U.K. millennials feel that when a luxury brand becomes accessible, it loses its appeal (compared to 32 percent of Boomers).
“Mr Porter does a good job at creating a sense of experience and personalization around product recommendations, product descriptions and product delivery, which features the recipient’s name as its logo,” said Tammy Smulders, managing director of Havas LuxHub, the group’s luxury brand division. “As a retailer, it’s good at getting to know its customer; of course that builds loyalty.”
Hagen explains that Carat’s client The Swatch Group is starting to use Instagram “sparingly,” and most posts are getting thousands of likes.
“That’s a source of data,” he said. “We can then start stitching together other data to find out which of those thousands of likes will buy four of those watches in a year, perhaps on their lunch break, and which will save up for 10 years to afford it.”
“To maintain that luxury brands can start thinking of media as a service,” he said. Swatch can tailor its messaging to each of those customers. The former may want a delivery service to their desk on their lunch break, while the latter will bring better value to the brand by being offered a payment plan. “If this is offered to them a year before they planned, then that opens up the market a year earlier,” said Hagen.
Images via Hearst.
More in Marketing
Digiday+ Research assesses how brands and influencers are using Shorts to reach new audiences and what types of Shorts videos create the most buzz for marketers.
Yesterday, Snapchat marked its return to in-person agency roadshows, sending company representatives to Horizon Media’s Manhattan office to showcase a Snap-designed video game intended to capture the essence of what it’s like to work at an agency — and how Snapchat can be part of the process.
Babylist, TodayTix Group and Liquid Death grow their in-house teams as they try to save money, have more control
As in-housing settles in as a mainstay, some marketers push for complete control.