Connect with execs from Axios, The New York Times, Paramount and more.
Advertising creatives are a notoriously fickle bunch. We spoke to several to come up with the surefire ways to land on their bad sides.
1. Make them work on banners.
2. Start talking about metrics and analytics.
3. Go into excruciating detail about RTB, DSPs, SSPs and DMPs.
4. Show them a media plan spreadsheet.
5. Let them know that the client cancelled the campaign after they spent a full holiday weekend working on it and now there is new one to get started on ASAP.
6. Ask them to make the logo bigger.
7. Have them push around at least one ad element by two pixels after “final client approval.” Do that four times.
8. Proclaim metaphors are for sissies.
9. Tell them that media is more important to performance than creative and then show them empirically.
10. Take away their Mac and make them work on a PC.
11. Insult their black-rimmed glasses.
12. Tell them that the concept is too derivative of previous advertising concepts or executions.
13. Put them on the phone with a client.
14. Shoulder surf.
15. Critique their work in front of them to a client.
16. Defend the client.
17. Ask if they work in PowerPoint.
18. Put them on a B2B account.
19. Tell them they’d be better off crossing over to the brand side.
20. Change the office dress policy to “business casual.”
Image via Shutterstock
More in Marketing
NASCAR rebuilds its commercial engine to tempt back motorsports fans
Behind the scenes, the motorsport and racetrack business hopes a commercial refit and consumer-facing hero campaign can help it hold the line amid F1’s growing U.S. popularity.
To manage 300,000 creators, Unilever automates everything but the relationship
Unilever is using AI to vet creators and automate workflows as it scales a 300,000-creator network without handing over creative decisions.
Nike versus Adidas: Who’s spending more in race to claim the World Cup crown?
With the World Cup at the midway point, ad spend estimates show the apparel rivals taking opposite tacks in their media approaches.