Insights from CTV leaders at Dentsu, Horizon Media and more
The Zuckerberg Files: Apparently meeting Mark Zuckerberg is not a fun experience (unless he is trying to romance/hire you), according to Twitter co-founder Biz Stone. Stone said in an interview with NPR's Peter Sagal that Zuck had no sense of humor and made the situation awkward. Maybe it was because Facebook was busy copying Twitter in its own design. Still, this can't be too surprising. After all, not that many tech dorks are known for their people skills. TNW
A New Social Network: In response to being banned by Google from Google+, Anonymous has launched its own social network, AnonPlus, "a new social network where there is no fear of censorship, of blackout, nor of holding back." The website is currently just a placeholder, but the social network should be up and running soon. Unlike Google+, AnonPlus allows pseudonyms and is open to everyone. Will you join? Wired
Twitter Record: The FIFA Women’s World Cup set two new Twitter records: the final game between USA and Japan set the new record with 7,196 tweets per second, and the Paraguay vs. Brazil game came in as the new number-two, with 7,166 tweets per second. It’s nice to see that people are paying attention to women’s sports too. Mashable
Tumblr of the Day: What? No search results for “sexy young republicans”? No Results
Video of the Day: Who knew Marines had sense of humor? (Take note, Zuck).
More in Media

Ad Tech Briefing: The ‘plumbers’ posing as the unlikely saviors of the internet
After several false dawns, can Cloudflare’s ‘anti-AI scraping tool’ finally offer publishers a road to commercial redemption?

Generative AI, not ad tech, is the new antitrust battleground for Google
Global regulatory scrutiny is shifting from Google’s ad tech and search dominance to generative AI, as they aim to address the most pressing threats to publisher business models.

Yahoo takes cues from platforms as it offers more editorial control to creators
Through its creator program, Yahoo is evolving from its roots as a content aggregator and editorial publisher to more of a distribution platform for individual creators.