Which new digital news publisher designed it best?

There’s been a flowering of digital-only news startups, from Nate Silver’s Fivethirtyeight to Ezra Klein-fronted Vox. Each has has been noted for its editorial positioning and bold-faced-name journalists behind it, but great content can be undermined by poor presentation. We asked the experts: Who got it right?

1. Vox
With the newest site from Vox Media, Klein promised a next-gen version of traditional news by combining Vox Media’s technology with his explainer brand of journalism. The site, launched Sunday night and designed in-house, felt immediately accessible, with its Wiki-style cards that explain complicated topics like Ukraine and Bitcoin. The cards translate well to smartphones, which is likely how many of readers will access the site. Joe Zeff, founder of Joe Zeff Design, said it makes him feel “smart.” “Vox does the best job of establishing a brand identity, regardless of whether you like bright yellow or frilly type,” he said. “I can imagine an endless series of cards that help me understand various things.”

Screen Shot 2014-04-08 at 3.08.04 PM


2. FiveThirtyEight
Nate Silver’s new data-driven news site launched to mixed reviews, with critics saying it lacked an (expressed) ideology and was too inaccessible for the casual reader (but too light for the expert). As for the design, Twitter feeds on story pages are debatable as a use of space, and it takes a lot of scrolling to get to the text of a story. But there’s a lot of good to say. If it comes off a bit cold, the look is straightforward, and a story-heavy home page lets you see a lot at once. It’s “no bullshit … approachable and legible,” said Joe Stewart, partner, Work & Co.

Screen Shot 2014-04-08 at 3.09.36 PM


3. The Intercept
The first site from First Look Media, backed by eBay founder Pierre Omidyar, is published by former Guardian columnist Glenn Greenwald, who plans to use it as a platform to hold governments and corporations to task. Despite that weighty mandate, the site, launched in February, looks surprisingly like a bare-bones blog, with one article stacked on top of another. The extra-wide headlines don’t do the site any favors, either. “If you look at how much your eyeballs have to work, it’s just laborious,” said Stewart.

Screen Shot 2014-04-08 at 3.11.10 PM


4. Re/code
Walt Mossberg and Kara Swisher founded the new tech news brand on the ashes of All Things D, the tech site that The Wall Street Journal ended earlier this year. The site, designed by Sub Rosa, does well at telling the reader what’s new and important. But the heavy use of lines and small type makes it hard to read. “It looks like a gumball machine,” Zeff said. “Everything’s the same size and shape, and as a result, I don’t know where to look first.”

Screen Shot 2014-04-08 at 3.12.14 PM


5. The Information
The new tech pub from former Journal reporter Jessica Lessin had many skeptics wondering how she’d get people to pay the hefty $399 annual subscription fee. Despite the premium price, the site looks anything but. While some will appreciate the clean design by San Francisco’s Upperquad, others say its blog-like presentation and generic-looking stock art will undermine the editorial mission. “I can’t imagine people coming here and thinking, I need this,” said Kevin Kearney, CEO, Hard Candy Shell.

Screen Shot 2014-04-08 at 3.13.02 PM


Vote for your favorite below.

[polldaddy poll=7953178]




More in Media

The Trade Desk’s ‘premium internet’ shift stirs concerns among publishers over ad dollar allocation

The Trade Desk reassures that minimal authentication can still attract ad dollars, but many publishers remain skeptical of relying on UID 2.0 and ceding control over their data.

AI Briefing: Why WPP is adding Anthropic’s Claude models to its AI platform

Choosing which AI models to use has been a key factor for companies as they develop AI strategies for marketing and other applications. 

Inside The New York Times’ plans to correlate attention levels to other metrics

There’s a lot of buzz around attention advertising right now, but The New York Times is trying to stay grounded even as it develops its own plans.